Publisher's Weekly Review
Set in December 1835, Redmond's workmanlike third Charles Dickens mystery (after 2019's Grave Expectations) takes Charles, at that time a journalist, to Hertfordshire, where he encounters a woman who claims that her late sister identified Charles as her baby's father, and insists he assume the infant's care. Charles returns with little Timothy to London, where he lodges the boy with friends. The next evening, Charles and his fiancée, Kate Hogarth, are caroling when an elderly man with iron chains around his neck falls to his death from a second-story window. The corpse is Jacob Harley, a moneylender who lived with his business partner, Emmanuel Screws. As Charles seeks to find Timothy's real father, he investigates Harley's illegitimate son, the owner of the company that made the chains, and the partners' mysterious American employee. The heavy-handed links to A Christmas Carol feel superfluous, though Redmond nicely blends period details into the storytelling. Cozy fans should enjoy this seasonal fare. Agent: Laurie McLean, Foreword Literary. (Oct.)
Kirkus Review
A third return to 1835 London sets two problems for parliamentary reporter Charles Dickens: unmasking a murderer, and clearing himself of an accusation that could put paid to his career and his impending marriage. Nothing says Christmas like caroling outside the countinghouse of Emmanuel Screws, and nothing dampens the Christmas spirit like having a chained corpse fall from an overhead window to the ground before the eyes of Charles and his horrified fellow carolers. Soon after the killjoy is identified as Jacob Harley, Screws' partner, his body inside its coffin vanishes from the custody of the undertaker Dawes. But that's the least of Charles' headaches. He's already scrambling to disprove the allegation of serving maid Madge Porter that he fathered Timothy, the son of Madge's late sister, Lizzie. Moved by the holiday spirit and simple humanity, Charles has taken up the infant and placed him with pregnant actress Julie Aga, the wife of his fellow journalist William Aga. His solicitude for the defenseless child is a distinctly bad look for his fiancee, Kate Hogarth, and a worse one for her father, George, who, as editor of the Morning Chronicle, holds a great deal of power over his employee's future. When the prospective publisher of Sketches by Boz begins to back away from his contract, it seems the only thing that will redeem Dickens is proof that he's not Timothy's father. Oh, and solving what by now is a pair of murders as well. A middling mystery seasoned with period detail and toothless threats to the future success of Charles Dickens. Copyright (c) Kirkus Reviews, used with permission.
