When it all syncs up / Maya Ameyaw.

Select an Action

Title:

When it all syncs up / Maya Ameyaw.

Author:

Ameyaw, Maya, author.

ISBN:

9781773217819

Physical Description:

291 pages ; 24 cm

Abstract:

"I don't even know if I'm following the choreo. I'm moving without worrying about being good, without obsessing about getting every move right. All the frustration and disappointment I jammed down every time I was passed over for a role, all of my yearning to be seen bursts out of me in a torrent of unfettered emotion. Ballet is Aisha's life. So when her mental health suffers after she's denied yet another opportunity at her elite academy because she doesn't "look the part," switching to her BFF Neil's art school seems like the perfect plan... until Aisha discovers Neil has been struggling with his own issues. Overwhelmed, Aisha enlists the help of a disarmingly cute musician who makes it a little less scary to open up when she needs support. But when discrimination in her new ballet class awakens old traumas, Aisha must find strength in herself and place her trust in others to make her next move." -- Back cover.

Subject Term:

African American dancers -- Juvenile fiction.

Ballet dancers -- Juvenile fiction.

Teenagers -- Juvenile fiction.

Mental health -- Juvenile fiction.

Interpersonal relations -- Juvenile fiction.

Racism against Black people -- Juvenile fiction.

Black people -- Canada -- Juvenile fiction.

Young adult fiction.

African American dancers -- Fiction.

Ballet dancers -- Fiction.

Mental health -- Fiction.

African American dancers. (OCoLC)fst00799133

Ballet dancers. (OCoLC)fst00826041

Mental health. (OCoLC)fst01016339

Young adult fiction. (OCoLC)fst01183080

Genre:

Young adult fiction.

Fiction. (OCoLC)fst01423787

Juvenile works. (OCoLC)fst01411637

Social problem fiction. (OCoLC)fst01982507

Young adult works. (OCoLC)fst01726790

Fiction.

Social problem fiction.

Available:*

Library	Material Type	Item Barcode	Shelf Number	Status
Searching... Avon-Washington Township Public Library	Teen Fiction Book Hardback	120791003069653	T AME	Searching... Unknown

Bound With These Titles

On Order

Summary

"A stunning read [. . .] simmering with tension and gripping to the final word." --Debbie Rigaud, New York Times bestselling author of Simone Breaks All the Rules and A Girl's Guide to Love & Magic

Now in paperback! A Black teen dancer with dreams of landing a spot in a prestigious ballet company must learn to dance on her own terms in this explosive debut about the healing power of art and friendship, perfect for fans of Heartstopper and Tiny Pretty Things.

Ballet is Aisha's life. But when discrimination at her elite academy pushes her to her breaking point, she decides to pivot. At her new public arts school, Aisha scores more dance opportunities than she's ever had before. And it doesn't hurt that she gets to take classes with her bestie . . . and with Ollie, an adorably shy musician who keeps throwing off her usually impeccable balance.

Yet even as Aisha navigates friendships, family conflict, and first love, questions about her dance career open up new and old wounds. Aisha must find strength in herself and place her trust in others to make her next move.

"At times hopeful and beautiful but also heartbreakingly devastating, When It All Syncs Up is a story of love in so many forms. But maybe most important of all, it is about the love we give ourselves, and allow ourselves to be given, even at our most broken."--Jonny Garza Villa, author of the Pura Belpré Honor Book Fifteen Hundred Miles from the Sun

Reviews (3)

School Library Journal Review

Gr 9 Up--This realistic debut is set in an elite ballet academy and then in a public school for the arts. Readers first meet dancer Aisha when she is taping up posters of Black ballerinas and trying to hype herself up for an audition for an apprenticeship at her ballet academy. Though she dances perfectly, she is not awarded the apprenticeship because she doesn't have "the look." Aisha decides to visit Neil, an old friend from ballet. Upon her arrival, she finds that Neil is in the hospital with alcohol poisoning, brought there by his friend Ollie. While she is staying with him, Neil encourages her to audition for the public school for the arts. Aisha, following an impressive audition, is welcomed into the school where she excels, given opportunities that she had not been afforded at her old school. As Aisha and Ollie deal with Neil's alcohol abuse, their friendship blossoms into a romance; however, they both have huge personal obstacles to overcome. Aisha's estranged mother shows up and causes some past mental health trauma to come back up, leaving Aisha and her friends with difficult decisions to make about priorities. Aisha and Neil are Black, Ollie is Asian, and there is diversity in the race and ethnicity of the other characters. VERDICT Ameyaw adeptly creates visceral responses to the characters' situations, while treating their issues of mental health, eating disorders, and traumas from assault and alcoholism with sensitivity. A needed addition to all collections that serve young adults.--Helen Prince

Publisher's Weekly Review

In Ameyaw's thoughtful and absorbing debut, a trio of teenagers explore identities and relationships through their artistic gifts. After she's rejected for a ballet apprenticeship, Ghanaian Canadian 16-year-old Aisha Bimi returns to Toronto from her majority-white western Canada ballet academy. With her caring stockbroker father in Tokyo and her estranged former professional ballerina mother forbidden from contacting her, Aisha struggles with an emerging dissociative disorder and relies on imaginary relationships with celebrated Black ballerinas, including Michaela DePrince, for reassurance. In Toronto, she wins a place at Korean Canadian best friend Neil's public arts high school, where Aisha develops a possible romance with musician Ollie, of Algerian heritage, and cultivates an unexpected affinity for modern dance. As Aisha navigates her own internal challenges, however, she becomes increasingly disturbed about Neil's growing reliance on alcohol and teams up with Ollie to help their friend. Via Aisha's sensitive voice, Ameyaw steadily builds layered suspense about the crisis that separated Neil and Aisha three years prior and destroyed Aisha's relationship with her mother to craft a tightly plotted and smoothly written novel that tackles issues of racism in classical ballet alongside mental health and body image conflicts. Ages 14--up. (June)

Kirkus Review

The highs and lows of ballet--and of growing up. Sixteen-year-old Aisha Bimi has worked hard to be one of the best dancers in her ballet-focused boarding school, but she is continually reminded that, in many people's eyes, she doesn't look the part. Aisha is Ghanaian Canadian, and there are few Black people in the world of ballet. After she fails to receive an apprenticeship with the Western Canadian Ballet, Aisha makes the split-second decision to return home to Toronto. There, she toys with the idea of enrolling in an arts high school with her best friend, Neil. She can see that Neil, who is of Korean descent, has an alcohol problem, and she is determined to help, enlisting the aid of Algerian Canadian Ollie, one of Neil's quiet yet compelling school friends. Can Aisha balance her relationships old and new, her mental health, and ballet, or is it all too much? Aisha's feelings about dance consistently ring true, from the isolation of having few role models or friends who look like her to her love of classical technique and her hunger for something new. Her struggles with body image are especially authentic. Aisha and her friends face real problems and are not without their stumbles and missteps, but they also work to support each other in finding healing and healthy ways to move forward. A hopeful, realistic exploration of mental health among teens invested in the world of the arts. (Fiction. 14-18) Copyright (c) Kirkus Reviews, used with permission.

Excerpts

I don't let myself think as I begin moving. Neil follows my lead and I feel myself shifting into a new plane where the language of his movements starts to become familiar. A form of communication that I'm not only beginning to understand, but learning to speak. Our eyes connect and I communicate to him that I get how alone he's felt and that I've felt it too. That I'm so glad we're finally together again. When we come to a stop we're eye to eye and for a horrible second, I think we both might cry. Excerpted from When It All Syncs Up by Maya Ameyaw All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.