Publisher's Weekly Review
When Zach's father insists that the games he-and friends Poppy and Alice-play with dolls must end, the three friends refuse to let their imaginations die. Instead, they set out on an epic adventure involving a china doll that just might be made from the bones of a murdered girl. And along the way, they discover that there could be more to what was once a simple backyard game. Narrator Nick Podehl delivers a fun-filled reading that will delight this audiobook's young-adult target audience. Podhel delivery is simple, his pacing steady, and his performance one that skillfully captures all the action of this imaginative tale. Ages 10-14. A Margaret K. McElderry paperback. (May) (c) Copyright PWxyz, LLC. All rights reserved.
Horn Book Review
Twelve-year-old Zach and his longtime friends Poppy and Alice have created an elaborate, ongoing imaginative game they act out with their dolls and action figures. When his dad throws away Zach's figurines ("it's time you grew up"), the distraught boy abandons the game with little explanation to the others ("you can't play pretend forever"). Poppy attempts to lure him back with the game's all-powerful Great Queen, a bone-china doll so precious that Poppy's mother keeps it in a locked cabinet. Poppy takes the queen, only to be haunted in her dreams by the ghost of a girl whose ashes are inside the doll. The ghost won't rest until she has been properly buried, so Poppy persuades Alice and Zach to journey with her to the girl's gravesite. The impromptu trip includes a scary bus ride, eerie supernatural encounters, and an action-packed sailboat voyage, all of which provide ample thrills for readers, with Wheeler's pencil illustrations softening spooky aspects of the adventure. The narrative is uneven: while the doll is believably creepy, the horror elements and the ghost story remain underdeveloped, as do Poppy and Alice's characters, and the resolution is rather abrupt. But through Zach's complex perspective, author Black poignantly and realistically captures how adolescence inherently brings change; how growing up affects the ways children play; and the inevitable tests friendships face. cynthia k. ritter (c) Copyright 2013. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Booklist Review
*Starred Review* A trio of adolescents goes on a quest to satisfy the demands of a ghost. Sounds like standard middle-grade fare, but in Black's absolutely assured hands, it is anything but. Zach, Poppy, and Alice have been playing the same make-believe game for years, one involving pirates and mermaids and, of course, the Great Queen a creepy, bone-china doll at Poppy's house. Then Poppy reveals that she's been haunted by a girl whose ground-up bones lie inside the Great Queen, so the doll must be properly buried. Begrudgingly, the three agree to play one last game and hope against hope for a real adventure, the kind that changed you. With heart-wrenching swiftness, Black paints a picture of friends at the precipice of adulthood; they can sense the tentative peace of youth that is about to be demolished. The tightly focused, realistic tale bladed with a hint of fairy-tale darkness feels cut from the very soul of youth: there is no sentimentality, no cuteness, only the painful, contradictory longing to move forward in one's life without leaving anything behind. Stories about the importance of stories ( Maybe no stories were lies, thinks Zach) don't come much more forthright and affecting than this one. Wheeler's sketches ameliorate some of the tension and dread not a bad thing. HIGH-DEMAND BACKSTORY: Black's best-selling Spiderwick Chronicles pave the way for this powerful stand-alone, which comes with an author tour, in-theater promos, and more.--Kraus, Daniel Copyright 2010 Booklist
New York Review of Books Review
IN Holly Black's newest middle-grade novel, "Doll Bones," the main characters, Zach, Poppy and Alice, are at that intermediate stage between childhood and adolescence, when alliances shift and friendships subtly develop into something more, when children outgrow identities as quickly as they outgrow clothing, when boys and girls sometimes appear awkwardly patched together with emotional and physical features from various stages of development, like an evolutionary experiment gone haywire. For years, the three best friends have played a continuous, ever evolving game of make-believe embracing fictional kingdoms, characters and allegiances, using toy figurines and hastily assembled objects to stand in for the real thing. The Queen, a porcelain doll with vacant eyes and blond ringlet curls, presides over the kingdoms from her position in Poppy's mom's glassed-in cabinet. But now, things are changing. Zach joins the basketball team. Alice has a secret. And Poppy is desperate for the game to go on, unchanged and unchanging. After Zach abruptly announces he doesn't want to play anymore - a mixture of pride, humiliation and anger won't let him confess to the real reason for his change-of-heart - Poppy summons her friends in the middle of the night and declares that there is one final component of the game. The Queen has come to her in a dream and revealed a terrible truth: the spirit of a little girl is trapped inside the doll's body, and now Poppy, Alice and Zach must embark on a journey to put her to rest. What follows has the cadence of a classic quest story, mixed with a shivery dose of the supernatural. The children confront villainous adults (a leering homeless man on the bus who warns them of aliens who might steal their faces; suspicious bus station employees; a well-meaning librarian who nonetheless tries to end their quest), endure mishaps and misfortunes, and engineer breathless escapes by boat and bicycle. "Doll Bones," the latest of Black's books to meld the real, the gothic and the paranormal (she was a co-author of the best-selling series "The Spiderwick Chronicles" and has written several popular books for young adults as well, including "Tithe: A Modern Faerie Tale"), doesn't always flow or keep pace with its ambitions. Like the main characters, suspended between childhood and what comes afterward, the narrative sometimes feels unmoored, an uneasy mixture of ghost- and adventure- and coming-of-age story whose themes, and even intended audience, are occasionally muddled. The book, meant for ages 10 to 14, is almost certainly too frightening for readers younger than that, as the porcelain Queen, whose will the characters must obey, is made from the pulverized ash and bones of a little girl cremated by her potter father. But some of the characters' attitudes, in particular their obsession with dolls, play and make-believe, might similarly leave cold the older middle-grade readers, as they oscillate between innocence and exhausted cynicism, prone to mood swings and lightning quick changes of temperament. Of course, that's precisely how children are at that age. And for the 10-to-12-year-old reader, dreaming of boys while still cuddling a teddy bear at night, or privately wishing to revert to the simplicity of childhood while enjoying the sensation of growing up, "Doll Bones" may be perfect. And if at times there is an uneasy tension between narrative elements, that's probably due to the book's ambitions: tackling themes of familial loss, the disintegration of friendships, the disillusionments of age and what it means to believe, this story is - despite its emphasis on adventure and a strong narrative that propels the book forward - the opposite of fluff. It's a deep, strange and compelling book, at times lovely, at other times heartbreaking and deliciously weird. Lauren Oliver is the author of the Delirium trilogy and of the middle-grade novels "Liesl and Po" and "The Spindlers."
School Library Journal Review
Gr 5-8-Black's tale (Margaret K. McElderry Books, 2013) of friendship and the trials of growing up is set against the backdrop of a spooky ghost story. Zach Barlow loves to make things up. He and his friends Poppy and Alice spend every afternoon concocting new adventures for their dolls and action figures. However, Zach's recently returned father is less than thrilled about his son spending his time playing with dolls instead of taking part in more age-appropriate activities, such as basketball. When he commits a drastic act to force Zach to give up his play-acting, it precipitates a series of events that send Zach, Poppy, and Alice on a midnight quest to lay to rest the soul of a murdered girl, a soul that now inhabits a bone china doll. Along the way, the trio uncovers secrets about the past and one another, and discovers that they are capable of more than they ever realized. Nick Podehl expertly voices the three friends as well as the unforgettable characters Tin-Shoe Joe and the pink-haired librarian, Miss Katherine. Black has written an adventurous ghost tale that fans of Mary Downing Hahn and Peg Kehret and devotees of the author's previous novels will love.-Michaela Schied, formerly, Indian River Middle School, Philadelphia, NY (c) Copyright 2013. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Kirkus Review
A middle-grade fantasy dons the cloak of a creepy ghost tale to deliver bittersweet meditations on the nature of friendship, the price of growing up and the power of storytelling. The lifelong friendship of Zach, Poppy and Alice revolves around their joint creation, an epic role-playing saga of pirates and perils, queens and quests. But now they are 12, and their interests are changing along with their bodies; when Zach's father trashes his action figures and commands him to "grow up," Zach abruptly quits the game. Poppy begs him to join her and Alice on one last adventure: a road trip to bring peace to the ghost possessing her antique porcelain doll. As they travel by bus and boat (with a fateful stop at the public library), the ghost seems to take charge of their journey--and the distinctions between fantasy and reality, between play and obligation, begin to dissolve....Veteran Black packs both heft and depth into a deceptively simple (and convincingly uncanny) narrative. From Zach's bitter relationship with his father to Anna's chafing at her overprotective grandmother to Poppy's resignation with her ramshackle relations, Black skillfully sketches their varied backgrounds and unique contributions to their relationship. A few rich metaphors--rivers, pottery, breath--are woven throughout the story, as every encounter redraws the blurry lines between childishness and maturity, truth and lies, secrecy and honesty, magic and madness. Spooky, melancholy, elegiac and ultimately hopeful; a small gem. (Fantasy. 10-14)]] Copyright Kirkus Reviews, used with permission.
Excerpts
Doll Bones CHAPTER ONE POPPY SET DOWN ONE OF THE MERMAID DOLLS CLOSE to the stretch of asphalt road that represented the Blackest Sea. They were old--bought from Goodwill--with big shiny heads, different-colored tails, and frizzy hair. Zachary Barlow could almost imagine their fins lashing back and forth as they waited for the boat to get closer, their silly plastic smiles hiding their lethal intentions. They'd crash the ship against the shallows if they could, lure the crew into the sea, and eat the pirates with their jagged teeth. Zachary rummaged through his bag of action figures. He pulled out the pirate with the two cutlasses and placed him gently at the center of the boat-shaped paper they'd weighed down with driveway gravel. Without gravel, the Neptune's Pearl was likely to blow away in the early autumn wind. He could almost believe he wasn't on the scrubby lawn in front of Poppy's ramshackle house with the sagging siding, but aboard a real ship, with salt spray stinging his face, on his way to adventure. "We're going to have to lash ourselves to the mast," Zach said, as William the Blade, captain of the Neptune's Pearl. Zach had a different way of speaking for each of his figures. He wasn't sure that anyone but him could tell his voices apart, but he felt different when he talked in them. Alice's braids spilled in front of her amber eyes as she moved a G.I. Joe Lady Jaye figure closer to the center of the boat. Lady Jaye was a thief who'd begun traveling with William the Blade after she'd been unsuccessful in picking his pocket. She was loud and wild, almost nothing like Alice, who chafed under the thumb of her overprotective grandmother, but did it quietly. "You think the Duke's guards will be waiting for us in Silverfall?" Alice made Lady Jaye ask. "He might catch us," said Zach, grinning at her. "But he'll never hold us. Nothing will. We're on a mission for the Great Queen and we won't be stopped." He hadn't expected to say those words until they came out of his mouth, but they felt right. They felt like William's true thoughts. That was why Zach loved playing: those moments where it seemed like he was accessing some other world, one that felt real as anything. It was something he never wanted to give up. He'd rather go on playing like this forever, no matter how old they got, although he didn't see how that was possible. It was already hard sometimes. Poppy tucked windblown strands of red hair behind her ears and regarded Zach and Alice very seriously. She was tiny and fierce, with freckles thick enough to remind Zach of the stars at night. She liked nothing better than being in charge of the story and had a sense of how to make a moment dramatic. That was why she was the best at playing villains. "You can knot ropes to keep you safe, but no boat can pass through these waters unless a sacrifice is given to the deep," Poppy made one of the mermaids say. "Willingly or unwillingly. If one of your crew doesn't leap into the sea, the sea will choose her own sacrifice. That's the mermaid's curse." Alice and Zach exchanged a look. Were the mermaids telling the truth? Really, Poppy wasn't supposed to make up rules like that--ones that no one else had agreed to--but Zach objected only when he didn't like them. A curse seemed like it could be fun. "We'll all go down together before we lose a single member of this crew," he fake-shouted in William's voice. "We're on a mission for the Great Queen, and we fear her curse more than yours." "But just then," said Poppy ominously, moving one of the mermaids to the edge of the ship, "webbed fingers grab Lady Jaye's ankle, and the mermaid pulls her over the side of the boat. She's gone." "You can't do that!" Alice said. "I was lashed to the mast." "You didn't specify that you were," Poppy told her. "William suggested it, but you didn't say whether or not you did it." Alice groaned, as though Poppy was being especially annoying. Which she kind of was. "Well, Lady Jaye was in the middle of the boat. Even if she wasn't lashed, a mermaid couldn't get to her without crawling on board." "If Lady Jaye gets pulled over the side, I'm going after her," Zach said, plunging William into the gravel water. "I meant it when I said no one gets left behind." "I didn't get pulled over the side," Alice insisted. As they continued arguing two of Poppy's brothers walked out of the house, letting the screen door slam behind them. They looked over and started to snicker. The older of the two, Tom, pointed directly at Zach and said something under his breath. His younger brother laughed. Zach felt his face heat. He didn't think they knew anyone at his middle school, but still. If any of his teammates found out that, at twelve, he was still playing with action figures, basketball would become a lot less fun. School could get bad too. "Ignore them," Poppy declared loudly. "They're jerks." "All we were going to say is that Alice's grandma called," Tom said, his face a parody of hangdog innocence. He and Nate had the same tomato-red hair as their sister, but they weren't much like her in any other way that Zach could see. They, along with their eldest sister, were always in trouble--fighting, cutting school, smoking, and other stuff. The Bell kids were considered hoodlums in town and, Poppy aside, they seemed intent on doing what they could to uphold that reputation. "Old lady Magnaye says that you need to be home before dark and for us to be sure to tell you not to forget or make excuses. She seems rough, Alice." The words were supposed to be nice, but you could tell from the sickly sweet way Tom talked that he wasn't being nice at all. Alice stood up and brushed off her skirt. The orange glow of the setting sun bronzed her skin and turned her glossy box braids metallic. Her eyes narrowed. Her expression wavered between flustered and angry. Boys had been hassling her ever since she'd hit ten, gotten curves, and started looking a lot older than she was. Zach hated the way Tom talked to her, like he was making fun of her without really saying anything bad, but he never knew what to say to stop it either. "Leave off," Zach told them. The Bell boys laughed. Tom mimicked Zach, making his voice high-pitched. "Leave off. Don't talk to my girlfriend." "Yeah, leave off," Nate squeaked. "Or I'll beat you up with my doll." Alice started toward the Bell house, head down. Great, Zach thought. As usual, he'd made it worse. "Don't go yet," Poppy called to Alice, ignoring her brothers. "Call home and just see if you can spend the night." "I better not," Alice said. "I've just got to get my backpack from inside." "Wait up," Zach said, grabbing Lady Jaye. He headed for the screen door and got there just as it shut in his face. "You forgot--" The inside of Poppy's house was always a mess. Discarded clothes, half-empty cups, and sports equipment covered most surfaces. Her parents seemed to have given up on the house around the same time they gave up on trying to enforce any rules about dinners and bedtimes and fighting--around Poppy's eighth birthday, when one of her brothers threw her cake with its still-lit birthday candles at her older sister. Now there were no more birthday parties. There weren't even family meals, just boxes of macaroni and cheese, cans of ravioli, and tins of sardines in the pantry so that the kids could feed themselves long before their parents came home from work and fell, exhausted, into their bed. Zach felt envious every time he thought of that kind of freedom, and Alice loved it even more than he did. She spent as many nights there as her grandmother allowed. Poppy's parents didn't seem to notice, which worked out pretty perfectly. He opened the screen door and went inside. Alice was standing in front of the dusty, old, locked display cabinet in the corner of the Bell living room, peering in at all the things Poppy's mother had forbidden Poppy, on pain of death and possible dismemberment, from touching. That was where the doll they called the Great Queen of all their kingdoms was trapped, next to a blown-glass vase from Savers that had turned out to be vintage something-or-other. The Queen had been picked up by Poppy's mother at a tag sale, and she insisted that one day she was going to go on Antiques Roadshow, sell it, and move them all to Tahiti. The Queen was a bone china doll of a child with straw-gold curls and paper-white skin. Her eyes were closed, lashes a flaxen fringe against her cheek. She wore a long gown, the thin fabric dotted with something black that might be mold. Zach couldn't remember when exactly they'd decided that she was the Great Queen, only that they'd all felt like she was watching them, even though her eyes were closed, and that Poppy's sister had been terrified of her. Apparently, one time, Poppy had woken in the middle of the night and found her sister--with whom she shared a room--sitting upright in bed. "If she gets out of the case, she'll come for us," her sister had said, blank-faced, before slumping back down on her pillow. No amount of calling to the other side of the room had seemed to stir her. Poppy had tossed and turned, unable to sleep for the rest of the night. But in the morning, her sister had told her that she didn't remember saying anything, that it must have been a nightmare, and that their mother really needed to get rid of that doll. After that, to avoid being totally terrified, Zach, Poppy, and Alice had added the doll to their game. According to the legend they'd created, the Queen ruled over everything from her beautiful glass tower. She had the power to put her mark on anyone who disobeyed her commands. When that happened, nothing would go right for them until they regained her favor. They'd be convicted of crimes they didn't commit. Their friends and family would sicken and die. Ships would sink, and storms would strike. The one thing the Queen couldn't do, though, was escape. "You okay?" Zach asked Alice. She seemed transfixed by the case, staring into it as though she could see something Zach couldn't. Finally Alice turned around, her eyes shining. "My grandmother wants to know where I am every second. She wants to pick out my clothes for me and complains about my braids all the time. I just am so over it. And I don't know if she's going to let me be in the play this year, even though I got a good part. She can't see so well after dark, and she doesn't want to drive me home. I'm just so tired of all her rules, and it's like the older I get, the worse she gets." Zach had heard most of that before, but usually Alice just sounded resigned to it. "What about your aunt? Could you ask her to pick you up after rehearsals?" Alice snorted. "She's never forgiven Aunt Linda for trying to get custody of me way back when. Brings it up at every holiday. It's made her superparanoid." Mrs. Magnaye grew up in the Philippines and was fond of telling anyone who would listen how different things were over there. According to her, Filipino teenagers worked hard, never talked back, and didn't draw on their hands with ink pens or want to be actresses, like Alice did. They didn't get as tall as Alice was getting either. "Made her superparanoid?" Zach asked. Alice laughed. "Yeah, okay. Made her extra-superparanoid." "Hey." Poppy came into the living room from outside, holding the rest of their figures. "Are you sure you can't stay over, Alice?" Alice shook her head, plucked Lady Jaye out of Zach's hand, and went down the hallway to Poppy's room. "I was just getting my stuff." Poppy turned impatiently to Zach for an explanation. She never liked it when she wasn't part of a conversation and hated the idea that her friends had kept any secrets from her, even stupid ones. "Her grandmother," he said, with a shrug. "You know." Poppy sighed and looked at the cabinet. After a moment, she spoke. "If you finish this quest, the Queen will probably lift the curse on William. He could go home and finally solve the mystery of where he came from." "Or maybe she'll just make him do another quest." He thought about it a moment and grinned. "Maybe she wants him to get skilled enough with a sword to break her out of that cabinet." "Don't even think about it," Poppy said, only half joking. "Come on." They walked down the hall to Poppy's room just as Alice came out, backpack over one shoulder. "See you tomorrow," she said as she slipped past them. She didn't look happy, but Zach thought she might just be upset that she was leaving early and that they were going to be hanging out without her. He and Poppy didn't usually play the game when Alice wasn't there. But lately Alice seemed to be more bothered by he and Poppy spending time alone together, which he didn't understand. Zach walked into Poppy's room and flopped down on her orange shag rug. Poppy used to share the room with her older sister, and piles of her sister's outgrown clothes still remained spread out in drifts, along with a collection of used makeup and notebooks covered in stickers and scrawled with lyrics. A jumble of her sister's old Barbies were on top of a bookshelf, waiting for Poppy to try to fix their melted arms and chopped hair. The bookshelves were overflowing with fantasy paperbacks and overdue library books, some of them on Greek myths, some on mermaids, and a few on local hauntings. The walls were covered in posters--Doctor Who, a cat in a bowler hat, and a giant map of Narnia. Zach thought about drawing a map of their kingdoms--one with the oceans and the islands and everything--and wondered where he could get a big enough piece of paper. "Do you think that William likes Lady Jaye?" Poppy asked, settling herself cross-legged on her bed, the pale pink of one knee visible through the rip in her hand-me-down jeans. "Like like likes?" He sat up. "What?" "William and Lady Jaye," she said. "They've been traveling together awhile, right? I mean, he must like her some." "Sure he likes her," Zach said, frowning. He pulled his beat-up army surplus duffel bag toward him and stuffed William inside. "But, I mean, would he marry her?" Poppy asked. Zach hesitated. He was used to being asked how characters felt, and it was a simple question. But there was something in Poppy's voice that made him think there was a meaning behind it that was less simple. "He's a pirate. Pirates don't get married. But, I mean--if he wasn't a pirate and she wasn't a crazy kleptomaniacal thief, then I guess he might." Poppy sighed as though that was the worst answer ever given by anyone, but she dropped it. They talked about other things, like how Zach couldn't play the next day because of basketball practice, whether or not aliens would ever land, and if they did, whether they would be peaceful or not (they both thought not), and which one of them would be more useful in a zombie uprising (a draw, since Zach's longer legs would be better for getting away, and Poppy's small size was a hiding advantage). On the way out, Zach paused in the living room to look at the Queen again. Her pale face was shadowed, but it seemed to him that though her eyes were closed, they weren't quite as closed as they had been before. While he stared at her, trying to figure out if he was imagining things, her lashes fluttered once, as if stirred by an impossible breeze. Or as if she was a sleeper on the verge of awakening. Excerpted from Doll Bones by Holly Black All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.
