![Cover image for A Drop of the hard stuff [sound recording] : Matthew Scudder mysteries #17 / Lawrence Block.](/client/assets/5.898/ctx//client/images/no_image.png "Cover image for A Drop of the hard stuff [sound recording] : Matthew Scudder mysteries #17 / Lawrence Block.")
Available:*
Library | Material Type | Item Barcode | Shelf Number | Status |
|---|---|---|---|---|
Searching... Avon-Washington Township Public Library | CD Book | 120791002067416 | CD BOOK BLO | Searching... Unknown |
Bound With These Titles
On Order
Summary
Summary
A Drop of the Hard Stuff
Reviews (5)
Publisher's Weekly Review
MWA Grand Master Block's powerful 17th novel featuring PI Matthew Scudder (after 2005's All the Flowers Were Dying) explores the challenges of an alcoholic attempting to atone for his past misdeeds. In 1970 or '71, Scudder, then a Manhattan NYPD detective, recognizes a guy he knew in grade school in the Bronx, Jack Ellery, in a police lineup to identify a robber. The victim picks someone else as the man who held her up at gunpoint, though Ellery's the guilty party. Years later, after Scudder has left the force, he meets Ellery, now an ex-con, at an AA meeting, where Ellery is trying to take the ninth step-making amends to all the people he'd harmed. Scudder's efforts to solve the murder that results from Ellery's quest for absolution place his own sobriety-and life-at risk. Block's pitch-perfect prose bolsters the elegiac plot. Accessible to first-timers, this book should add many more fans to the author's considerable following. (May) (c) Copyright PWxyz, LLC. All rights reserved.
Kirkus Review
Matthew Scudder looks back at his first year off the sauce to recall that making amends can be murder.Years after he went to school with Jack Ellery, Scudder next sees him through a one-way mirror after Det. Bill Lonergan's pulled Ellery in for a robbery. The witness fails to pick Jack out of the lineup, but it's not long this time before Scudder runs into him again at an AA meeting. The two men get to talking about this and that, and Jack indicates that his sponsor, gay jewelry designer Gregory Stillman, is something of a Step Nazi who's making him go through each of the 12 steps in the AA program. It's step 8 that brings Jack to grief. Having prepared a list of the people he's wronged, he's determined to apologize to each of them and ask what he can do to make things right. One of them, a fence he set up to be robbed, beats him up; another, a stockbroker he sold bogus cocaine, thanks Jack for helping turn his life around; another, the mover Jack cuckolded, shrugs off his contrition on the grounds that his old lady was making it with everything in pants. But who reacted by shooting Jack in the mouth and the forehead? Accepting $1,000 from Greg Stillman to look into the people on Jack's list, Scudder (All the Flowers Are Dying, 2005, etc.) is increasingly forced to confront his own attachment to the bottle and the certainty that Jack's executioner doesn't mind killing again.Sure, Block's written stronger mysteries. But this lonesome, wintry, compassionate tale is guaranteed to get under your skin, and make you thirsty to boot.]] Copyright Kirkus Reviews, used with permission.
Booklist Review
*Starred Review* When a character ages from book to book, a series has a built-in life span. At some point, the hero can only walk the mean streets with the help of a cane. Given Block's allegiance to verisimilitude and that he returns to a series only when he has something fresh for the characters to say and do, readers might have wondered whether they'd ever see Matt Scudder again, after the powerful ending of All the Flowers Are Dying (2005). Scudder is indeed back, but with a story from the past, told to Mick Ballou over a late-night drink of club soda. The premise is typical of Block's genius. It's so perfect that you can't believe you haven't seen it before. As Scudder nears his first anniversary of sobriety, he's hired to investigate the murder of another alcoholic who may have been killed because he was following the Twelve Steps to the letter, for when you make amends to a partner in crime, he's going to wonder who else you've been talking to. Scudder fans, and there are many, will enjoy both the mystery and the history, glimpsing characters who did (and didn't) make it into the later story line. And the prose, as always, is like the club soda Scudder sips in the opening pages: cool, fizzy, and completely refreshing.--Graff, Keir Copyright 2010 Booklist
New York Review of Books Review
I'M always stumped when someone asks me to find them "a good mystery," because I might recommend a serial killer thriller like Jo Nesbo's fiendishly clever novel THE SNOWMAN (Knopf, $25.95) to someone hankering for a civilized British detective story like Peter Lovesey's STAGESTRUCK (Soho Crime, $25). So let's play favorites - but pick your poison first. FAVORITE BOOK The final exit of a beloved sleuth is the focal point of my choice: THE TROUBLED MAN (Knopf, $26.95). Henning Mankell makes it clear that his brilliant if chronically depressed Swedish detective, Kurt Wallander, has solved his last case. In the course of investigating a political conspiracy that dates back to the cold war, Wallander comes to realize "how little he actually knew about the world he had lived in" and how inadequate his efforts to fix that broken world have proved. Although it accounts for his perpetual mood of despair, that insight also makes him a hero for this age of anxiety. FAVORITE NEW SLEUTH George Pelecanos's new protagonist. Spero Lucas, is not only younger and friskier than most private eyes, he's also untainted by the cynicism that goes with the profession. Making his first appearance in THE CUT (Reagan Arthur/Little, Brown, $25.99), Lucas brings his lusty appetites and taste for danger to a vivid narrative about gang wars in Washington, D.C. The big question: Can Pelecanos keep his young hero from flaming out? FAVORITE DEBUT NOVEL/FAVORITE ACTION THRILLER Sebastian Rotella scores twice for TRIPLE CROSSING (Mulholland/Little, Brown, $24.99), which begins on the San Diego-Tijuana border and sends good guys from both sides of the fence to combat drug smugglers and terrorists in the badlands of South America. FAVORITE COZY That would be A TRICK OF THE LIGHT (Minotaur, $25.99), Louise Penny's mystery starring Armand Gamache of the Sûreté du Québec and set in the enchanting village of Three Pines. FAVORITE REGIONAL MYSTERY In SHOCK WAVE (Putnam, $27.95), John Sandford drags Virgil Flowers away from an all-girls volleyball tournament and dispatches him to Butternut Falls, where a bomber is intent on keeping out a big-box store. FAVORITE SUSPENSE NOVEL Cara Hoffman takes on rural poverty, domestic abuse and teenage violence in her first novel, SO MUCH PRETTY (Simon & Schuster, $25), which watches a family of urbanites come to grief in upstate New York. Runner-up is another novel on the same theme: BENT ROAD (Dutton, $25.95), in which Lori Roy observes the breakdown of a family that has moved to Kansas to escape racial tensions in 1960s Detroit. FAVORITE MYSTERY WITH A SOCIAL CONSCIENCE A tie between THE END OF THE WASP SEASON (Reagan Arthur/ Little, Brown, $25.99), by Denise Mina, and THE BOY IN THE SUITCASE (Soho, $24), by the Danish authors Lene Kaaberbol and Agnete Friis. Mina's gritty Glasgow procedural features a female cop who takes pity on a 15-year-old killer because she's witnessed the neglect that can produce such damaged children. The criminal mistreatment of children is also the focus of the Danish thriller, which follows the efforts of a nurse to identify the 3-year-old boy she rescues at the Copenhagen train station. FAVORITE NOIR Antiheroes don't get much darker than the protagonist of James Sallis's moody existential mystery, THE KILLER IS DYING (Walker, $24), a hit man who wants to make one last clean kill before he dies. But I have to go with the rogue Scott Phillips introduces in THE ADJUSTMENT (Counterpoint, $25). This prince of a fellow made a killing pimping and working the black market as an Army quartermaster in Rome during World War II. But peacetime life in Wichita is so dull it takes all his ingenuity to come up with a new way to make a dishonest living. FAVORITE SUPERNATURAL MYSTERY Michael Koryta easily takes top honors for two eerie novels, THE CYPRESS HOUSE (Little, Brown, $24.99), a 1930s gangster story with spooky undertones, and THE RIDGE (Little, Brown, $24.99), a ghost story set in an old mining region of Kentucky. FAVORITE HISTORICAL MYSTERY If the category were narrowed to World War II-era novels, it would be a tossup between FIELD GRAY (Marian Wood/Putnam, $26.95), the darkest of Philip Kerr's Berlin stories, and David Downing's POTSDAM STATION (Soho, $25), with its horrific scenes of Berlin falling to the Red Army. But in an open field, top honors go to C.J. Sansom for HEARTSTONE (Viking, $27.95), a Tudor mystery that captures the chaotic state of England in the aftermath of Henry VIII's ill-conceived invasion of France. FAVORITE PERFORMANCE BY AN OLD PRO That's a tough one in a year that saw top-drawer work from Michael Connelly in THE FIFTH WITNESS (Little, Brown, $27.99). James Lee Burke in FEAST DAY OF FOOLS (Simon & Schuster, $26.99) and Thomas Perry in THE INFORMANT (Otto Penzler/ Houghton Mifflin Harcourt, $27). Sue Grafton earns special mention for keeping Kinsey Millhone engaged and endearing through her 22nd alphabet mystery, V IS FOR VENGEANCE (Marian Wood/Putnam, $27.95). But for sentimental reasons, I'm going with Lawrence Block's nostalgic novel, A DROP OF THE HARD STUFF (Mulholland/ Little, Brown, $25.99), set in New York in the 1970s, when Matt Scudder was still a working cop and crime was still "the leading occupation" in his Hell's Kitchen neighborhood.
Library Journal Review
This 17th installment of Block's long-running series about New York private detective Matthew Scudder (the first since 2005's All the Flowers Are Dying) has Scudder reflecting on an old case from the 1980s, less than a year after he joined Alcoholics Anonymous. Scudder's childhood friend (and fellow AA member) Jack Ellery is murdered while trying to make up for past deeds as part of his 12-step program, and Scudder is hired by Ellery's AA sponsor to investigate. Meanwhile, Scudder struggles to maintain his nascent sobriety. As with all of Block's Scudder novels, the mystery here is engaging but secondary to the author's sharp insights into human nature and life in the big city. The deftly handled nostalgic tone this time around adds to the appeal. VERDICT Fans will certainly appreciate this entry, which recaptures the feel of the best Scudder mysteries of the 1980s and fills in part of the series chronology. That said, it will also likely work well as an introduction to the detective for new readers. [See Prepub Alert, LJ 12/10.]-David Rapp, Library Journal (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.