Publisher's Weekly Review
In this sweetly engaging chapter book, two siblings visit their grandparents' farm for Christmas. Liam, an especially sensitive bibliophile (he takes 37 books along), notices "White Cow" standing all alone in their field and worries she's lonely. While initially reluctant, narrator Lily goes along with Liam's plan to buy a cow friend for White Cow; as they pool their money, Liam posts signs asking for help from the community and sells his books. With MacLachlan's well-drawn characters and Floca's simple pencil and graphite drawings, it's a poignant story with a classic feel. Ages 7-up. (Oct.) (c) Copyright PWxyz, LLC. All rights reserved
Horn Book Review
(Primary, Intermediate) Lily and Liam love visiting their grandparents every Christmas. They take walks, read, and buy gifts for their family -- but this year is different. Liam can't stop thinking about Gran and Grandpa's cow and how lonely she must feel now that she's the only animal left on the farm. Lily resents his worrying, which threatens to ruin their usual carefree stay, and tries to convince him that cows don't have feelings. Instead, she finds herself believing that maybe they do. When Liam comes up with a plan to find a friend for White Cow, everyone's Christmas, not just the cow's, is made merrier. Floca's realistic black-and-white illustrations reflect the solemn tone of MacLachlan's deeply moving tale, narrated in older sister Lily's thoughtful voice. A straightforward text and a heartwarming story make this chapter book a compelling read-aloud; the handsome red-and-gold jacket is all the wrapping this gift requires. From HORN BOOK, (c) Copyright 2010. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Booklist Review
Chapter-book readers in search of a cozy, heartwarming read will find MacLachlan's latest even cozier and more heartwarming than expected. It's the story of Lily and her younger brother, Liam, who are spending the few days leading up to Christmas on the farm with Grandpa and Gran. It's a beloved annual tradition, only this time Liam's concern for the farm's sole remaining cow threatens to overwhelm everything. He will spoil our vacation, frets Lily. I know this. But after Liam researches the emotional lives of cows and puts up flyers reading WANTED: A cow friend for a lonely, sad cow, Lily finds herself engaged in his mission. If it sounds saccharine, it's not MacLachlan knows just when to drop realistic details that give the narrative a grounding weight. Meanwhile, Floca's black-and-white illustrations are mysterious enough to avoid sapping the imagination kids will need to fill the gaps between the spare prose. The gramd ending, though over the top, will still draw forth the awed whispers parents especially like to hear around Christmas.--Kraus, Daniel Copyright 2009 Booklist
New York Review of Books Review
FROM "TESTING THE ICE" THE TRUE GIFT A Christmas Story. By Patricia MacLachlan. Illustrated by Brian Floca. Atheneum. $12.99. (Ages 7 and up) On their annual visit to their grandparents' farm, a brother and sister are saddened to see the obviously lonely White Cow on her own in a pasture. (MacLachlan, the Newbery Medalwinning author of "Sarah, Plain and Tall," neatly begins the story from the cow's point of view.) How the brother uses his Christmas money to find White Cow some friends, and how his sister, the narrator, feels about that, shapes the affecting and almost dreamlike happy ending. THE TWELVE DAYS OF CHRISTMAS Illustrated by Gennady Spirin. Marshall Cavendish. $16.99. (Ages 4 to 8) Along with the verses of this durable carol, a note provides background: though some believe the song holds "hidden Christian meanings" (with the partridge as Jesus), on the surface the growing list of fantastic items makes more sense as a children's memory game (another theory). Either way, Spirin's opulent illustrations perfectly suit the French hens, milking maids and golden rings. THE CHRISTMAS SWEATER By Glenn Beck. Illustrated by Brandon Dorman. Aladdin/Mercury Radio Arts. $17.99. (Ages 4 to 7) It's Christmas Eve and a boy is dreaming of a shiny new bicycle. Instead he's told he'll get a sweater knitted by his mother, and is crestfallen; but with his parents standing by, in the end he gets both the sweater and the bike. Strangely, this book is adapted from Beck's novel of the same name, in which a widow dies in a car accident and her son overcomes his bitterness with the help of just the sweater. Along the way, a message seems to have gotten mixed. TESTING THE ICE A True Story About Jackie Robinson. By Sharon Robinson. Illustrated by Kadir Nelson. Scholastic. $16.99. (Ages 7 to 10) Jackie Robinson's daughter builds a charming story around a childhood memory: the time her father stepped out on their frozen pond to test the ice for the first skating of the season. You see friends and family waiting anxiously, since they know he can't swim. (Nelson's close-ups expertly provide suspense as the ice goes "Boom!" - but holds.) With the basics of his biography efficiently woven in, this is a lovely introduction to a baseball legend. THE TEEN VOGUE HANDBOOK An Insider's Guide to Careers in Fashion. Razorbill. $24.95. (Ages 12 and up) This book isn't quite what you expect: it's not about modeling or makeup, but a how-to for teenagers who are genuinely interested in fashion and want to know how the business works. True, the profiles of people like Marc Jacobs are inherently glamorous, but the advice of the designers, editors and other insiders is refreshingly practical for the just-starting-out. Here's the photographer Mario Testino on the ideal assistant: "humble, funny and well mannered," putting "no limit" on how much he or she is willing to work. Real-world advice for would-be fashion stars in tough times. FROM "THE TWELVE DAYS OF CHRISTMAS" ALEX RIDER Crocodile Tears. By Anthony Horowitz. Philomel/Penguin. $17.99. (Ages 10 and up) Alex Rider's eighth adventure is one of his most ingenious, and if suitably over the top for MI6's sole teenage spy, it puts him in a world adults might recognize, with high-rolling bad guys and charities that turn out to be scams (the apt subtitle also foreshadows a terrific scary scene alongside an infested African river). The highlight is an escape from atop a gigantic dam as the wall is bursting and bullets and spears are flying. You'll have to read to find out how. JULIE JUST
School Library Journal Review
Gr 2-4-Lily and her younger brother go to their grandparents' farm for Christmas, as always. This year something is different; White Cow is the only animal in the field. Liam, certain that she is lonely, sacrifices his beloved books to buy her a calf companion, and Lily overcomes her fear of the large animal. The simple, elegant prose tells a warm family story with a classic holiday theme. Floca's graphite and ebony pencil drawings are lush with evocative detail and perfectly complement this lovely offering.-Virginia Walter, UCLA Graduate School of Education and Information Studies, CA (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Kirkus Review
Newbery Medalist MacLachlan offers a quietly moving Christmas story that illustrates the power of children to change their world. Lily, the first-person narrator, and her younger brother, Liam, spend every Christmas vacation at their grandparents' farm. Liam wants to buy a cow as a companion for the family's pet, White Cow, who seems lonely out in the field by herself. By Christmas Eve, Liam has raised enough money to buy a calf companion, but there is also a Christmas surprise of several cow visitors brought by neighbors to keep White Cow company for the holiday. MacLachlan uses her typical taciturn style featuring dialogue and minimal description to convey the intense feelings of the sensitive little boy trying to accomplish a seemingly impossible task. Floca's delicate, full-page pencil illustrations complement the text with understated emotion. (Fiction. 7-10) Copyright Kirkus Reviews, used with permission.
Excerpts
Chapter One OPENING DAY AT WRIGLEY FIELD ISN'T ALWAYS APRIL 8. It's not like Christmas or the Fourth of July, with their dependable calendar slots, the reassurance of a fixed number. So that it should fall on April 8 of this year--the first of Ryan Walsh's uneven stint in high school--seems reason enough for her to be on a southbound 'L' train at the exact moment she should be taking her seat in science class. The day is beautiful, blindingly bright and faintly breezy, and the Chicago skyline looms a startling shade of silver in the distance. Ryan clutches her backpack as the train lurches from side to side, her forehead pressed against the thick plastic window. A man in a Ryne Sandberg jersey wafts a foam finger in her direction, and even as she scoots farther toward the window, Ryan's heart beats fast with excitement. There are college kids drinking sweet-flavored vodka drinks from plastic bottles, old men with sweat-stained blue caps, a group of boys trading blue and red markers to finish up a cardboard sign. At each stop, as they collect more fans, as the noise level grows, as they wind their way along Lake Michigan toward the center of it all, she feels it: the fluttery hope, the tentative promise. It is game day in Chicago, the first true day of spring. There is, before them all, a whole new season. Ryan is not typically reckless in this way. She is, in fact, feeling slightly nauseated at the thought of her impulsive departure after third period. Across the packed train car, she thinks she spots a boy from her math class, the shock of white from a cast on his arm peeking through at elbow level in the crowd. But at the next stop, when the doors open and a new surge of people presses their way inside, he's suddenly gone, and Ryan decides she's only looking for a reason to feel guilty and to think of school. "Next stop, Addison," the conductor calls out, and the train erupts in wild cheering. Ryan tugs at the drawstrings of her hooded sweatshirt and smiles to herself. This, after all, is where she feels closest to him. Not when she sits at what had once been his seat at the dinner table. Not when her mom unwittingly sings their song under her breath while she does the dishes. Not when she looks at her younger sister, whose eyes are his: gray-blue and swimming. No, right here, with the stadium fast approaching and all the possibilities of these nine long innings laid bare: this is where it's easiest to imagine her father still beside her. She'd been just ten when he was killed in a rafting accident while on a trip to Colorado. Soon after, Mom sold their season tickets--two seats on the third base line, just eight rows back--to help save money while she looked for a job. Emily had always been too young anyway, and Mom was never interested much beyond the novelty of the festival-like atmosphere of Wrigley Field. But the ivy-covered back wall is the background to most of Ryan's memories of him. She can see his face most clearly when she thinks of him at the ballpark. It was here he'd taught her to keep score when she was only six, patiently helping her fill in the tiny diamond grids across her playbook, and it was here--however unknowingly--she'd begun to prepare herself for his absence. Where better to learn of heartbreak and loss than Wrigley Field? What better place to harden your heart? At the games, he'd throw an arm across the back of her seat and lean in. "If the Cubs win," he'd say, "I'll give up chocolate for a whole week." "It has to be something more important than that," Ryan would say accusingly, as if he didn't care enough to negotiate with something better than candy. "Not for this game," he'd protest. "It's not even our division." She'd pull her blue cap down low and frown until he reconsidered. "Okay, fine," he'd say with a grin. "If the Cubs win, I'll eat only vegetables for the rest of the week." "How about if they win, you have to give me five piggybacks a day?" "Five a day?" he'd say, laughing. "You drive a hard bargain." "It's for the good of the team," she'd insist. It was a dangerous bargaining tool, this team of theirs. There was always the chance they'd be left with nothing. Since her dad died, Ryan has only been to three games. The first two with her mom and sister soon after the accident, where they got lost amid the thick crowds and the too-cheerful organ music. Ryan had barely been able to watch the game, instead working to split open peanut shells the way he'd taught her, but they felt dry and dusty in her mouth. Emily cried when someone in the row behind them spilled beer at their feet, and Mom held her close, looking out over the top of her head with a dazed expression, even when everyone else rose for the national anthem. They'd left at the top of the fourth inning, and on their second try a few games later, made it only to the bottom of the fifth. It was soon after that when Mom sold the tickets. A year later, sitting with a friend and her parents at the third game, Ryan realized she'd forgotten how to keep score the way her dad taught her. She sat with her pencil poised over the scorecard and blinked back tears. That was five years ago. She hasn't been back since. But today is different. Today is April 8. When the train slows to a halt, the passengers shift restlessly until the doors open. Over their shoulders, Ryan can see the huge wall of the stadium rising up against a cloudless sky, and she draws in a breath. The air smells of that peculiar combination of hot dogs and springtime, leather mitts and freshly cut grass, and all of it blends into one scent, one thought, one thing: Dad . "Opening Day programs," a man in red calls out, waving the glossy booklets high in the air. "Cubs programs here!" Ryan steps off the platform, swept toward the stadium along with the rest of the crowd, and just briefly, she closes her eyes. April 8 may not always be Opening Day, but it is always--without fail and without end--the anniversary of the day her father died. And this, she thinks, peering up at the pennants waving lazily in the spring breeze, is reason enough. Ryan had woken this morning with a dull sense of loss, and when she rolled over to glance at her clock, she remembered and burrowed deeper beneath the covers. Five years ago on this day, she'd been pulled from her fourth-grade classroom and made to sit in the nurse's office until her mom arrived, red-eyed and stunned with her three-year-old sister in tow, to tell her what she knew--that in the chaos of the Colorado River, on the trip her dad had been planning with his college buddies for years, the raft had overturned. Of the group, it had been her father who was tossed in the worst possible direction, where the water was quicker, the river bottom rockier. It was the school nurse who leaned in to clarify the message: "He's gone, honey," she said, and Ryan began to cry. Sometimes, it seems she hasn't stopped crying since. This morning, when she came downstairs for breakfast, Emily was already sitting at the table singing to herself, her legs swinging from the chair as she picked at a blueberry muffin. Her younger sister loves dolls and horses, stickers and puppies, and is so far from what Ryan had been at eight--or ever--that she often has trouble believing they could have been raised in the same family. Though in a way, they haven't been. Emily had been too young to remember Dad, and for that, Ryan can't fault her. But her sister's allegiance to Kevin makes Ryan feel like the last survivor of a long-lost era. Their stepfather is a nice enough lawyer who Mom met at the driving range when she decided to take golf lessons a couple years ago. At the real estate agency where she'd started working after Dad died, golf was apparently more than just a hobby. It was the common language. "It's a sport that's actually useful," Mom said, looking pointedly at Ryan. "It's good for business." Dad had been a sportswriter, and even he didn't consider golf a real sport. Kevin--wearer of ties, believer in rules, hater of baseball--had joined the family shortly afterward, and it is with him that Emily has grown up. Because of this, it's impossible to blame her for not understanding that you don't flip the television channel when the Cubs are on. This morning, Ryan had looked on wearily from across the kitchen table as Emily folded and refolded a muffin wrapper like a study in origami. Twice, she opened her mouth to say something--to offer some small reminder of the day--but her sister was bright-eyed and ready for school, waiting for Kevin to drive her, waiting for Mom to kiss them good-bye, and Ryan didn't have the heart to draw her into this awful anniversary, no matter how much she wished for someone to share in her sorrow. When Mom came downstairs, she would--as she did each year on this day--hug Ryan just a little bit tighter, linger just a moment longer when she kissed her forehead, smooth back the tangles of hair from her face. They would exchange watery smiles, and without having to say anything, without making any sort of fuss, they would sit down to a breakfast of slightly burned bacon and scrambled eggs--Dad's favorite. Anything more to commemorate the day would be too difficult; anything less, heartless. But today, Mom came down holding Kevin's hand, the two of them hiding smiles and practically giggling. They stood before the table, Kevin adjusting his tie, Mom with a hand on the back of Emily's chair. "What's going on?" Ryan asked, frowning. She sat Indian style on the kitchen chair, her arms tucked up inside her sweatshirt. Mom stooped down to place a hand on top of Emily's, and behind her, Kevin shifted from one foot to the other, bobbing his head of thinning hair and grinning stupidly. "We only just found out for sure," she said. "I'm pregnant." Mom looked to them both, smiling hesitantly, until Emily squealed and hopped up from her chair, clapping her hands, and Mom's smile broadened. She raised her eyes over Ryan's shoulder to Kevin, and with that look--the flecks of light in her eyes, the faintest hint of joy--Ryan's heart dropped. Of all days, she thought, as she pushed back from the table and pounded up the stairs to her room. Later, when she heard the knock, Ryan simply tucked her face into her pillow and grunted. She looked up when the door creaked open, and Mom poked her head in. "Mind if I join you?" Ryan said nothing, but curled into a ball to make room at the foot of the bed. "I didn't forget," Mom said, resting a hand on Ryan's ankle. She tilted her head thoughtfully. "I think, in a way, he'd be happy about it, actually. A new beginning on a day like today. It's just the kind of thing he'd find meaning in if he were here." "If he were here," Ryan said, staring fiercely out the window, "this wouldn't have happened." They sat quietly on the bed together, the sounds from the cars outside rising up through the half-open window. Ryan waited for Mom to say something more--to suggest they go downstairs for bacon and eggs, or to tell her she'll never love anyone more than Dad, not Kevin and not even this new baby--but they both remained silent. Finally, Ryan eyed her stomach. "When's it due?" "October," Mom said, placing a hand on her belly, obviously pleased by the question. Ryan shrugged, watching the Cubs flag on her closet door flutter in the breeze from the window. It wasn't as if she'd have anything else to do in October. © 2008 Jennifer E. Smith Excerpted from The True Gift: A Christmas Story by Patricia MacLachlan All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.