Cover image for Duende : poems, 1966-now / Quincy Troupe.
Duende : poems, 1966-now / Quincy Troupe.
Title:
Duende : poems, 1966-now / Quincy Troupe.
Author:
Troupe, Quincy, author.
ISBN:
9781644210468

9781644210451
Edition:
Seven Stories Press first edition.
Physical Description:
656 pages : illustrations ; 25 cm
General Note:
Includes index
Contents:
From Embryo (BARLENMIR HOUSE, 1972) -- Embryo -- Rhythms -- Come Sing a Song -- Profilin, A Rap/Poem -- Midtown Traffic -- Chicago -- Blood Rivers -- The Syntax of the Mind Grips -- Weather Report in Lincoln Nebraska 2/8/71 -- White Weekend -- Woke Up Crying the Blues -- In Texas Grass -- Three for the Biafran War -- Blood-Rivers -- Embryo -- In Seventy-five Syllables -- In the Manner of Rabearivello -- Dream Poem/Song -- Rain/Time -- Dream/Dance -- Birds Fly without Motion to the Summit -- Beneath the Bluest Sea -- From Snake-Back Solos: Selected Poems, 1969 -- 1977 (L. REED BOOKS, 1978) -- Ash Doors & Juju Guitars -- I -- Up Sun South of Alaska -- These Crossings, These Words -- New York City Beggar -- After Hearing A Radio Announcement: A Comment on Some Conditions -- Steel Poles Give Back No Sweat -- Snow & Ice -- A Surrealistic Poem to Everyone & No One in Particular -- From Richmond College, Postmarked -- Manhattan -- II -- Legon, Ghana, After Dark -- Ghanaian Song-Image -- Igbobi, Nigerian Night -- Memory -- Out Here Where -- III -- It Is Not -- In A Silence of Bells -- In Memory of Bunchy Carter -- The Other Night -- Flying Kites -- Transformation -- Fireflies -- IV -- The Day Duke Raised: May 24th, 1984 -- Four, and More -- Snake-Back Solo -- V -- Poem for Skunder Boghossian, Painter -- Collage -- My Poems Have Holes Sewn into Them -- From Skulls along the River (L. REED BOOKS, 1984) -- I -- Skulls along the River -- South Central Vandeventer Street Rundown -- River Town Packin House Blues -- Poem for My Brother Timmy -- Old Black Ladies on Bus Stop Corners -- River Rhythm Town -- II -- Whose Death Is This Walking towards Me Now -- Ode to John Coltrane -- The Sky Empties Down Ice -- Halloween Parade in Greenwich Village, 1978 -- Eighth Avenue Poem -- Poem for Lady Day & Dinah Washington -- Image -- Riff -- III -- Impressions 8 -- Impressions 12 -- Impressions 15 -- Just Cruisin & Writin -- V -- Harlem Late Night Lyric -- The Day Strides There on the Wind -- V -- Memos & Buttons -- Las Cruces, New Mexico -- It All Boils Down -- 116th Street & Park Avenue -- Leon Thomas at the Tin Palace -- VI -- Untitled 3 -- Eye Throw My Rope Tongue into the Sky -- A Thought for You, Margaret -- A Poem for Ojenke & K. Curtis Lyle -- Southern Lyric; Ritual -- Passing on the Legacy -- New York City Stream Poem -- At the End -- From Weather Reports: New Poems, 1984 -- 1990 (HARLEM RIVER PRESS / WRITERS AND READERS, 1991) -- Perennial Ritual -- Boomerang: A Blatantly Political Poem -- Les Cayes, Haiti & 3 Religions on Parade: 1984 -- In Memoriam -- Avalanche Aftermath -- Porter, at 18 Months -- Change -- Eye Walk -- Tout de Meme -- Nice & Malibu -- 21 Lines to Carnot, Guadeloupean Master Drummer -- Poem for the Root Doctor of Rock n Roll -- Reflections on Growing Older -- Falling Down Roads of Sleep -- Following the North Star Boogaloo -- From Avalanche (COFFEE HOUSE PRESS, 1996) -- The Sound, Breaking Away -- I -- Watch Out for Sound Bites & Spin Doctors -- A Response to All You "Angry White Males" -- Eye Change Dreams -- Slippin' & Slidin' Over Syllables for Fun -- A Poem for "Magic" -- And Syllables Grow Wings There -- One for Charlie Mingus -- Avalanche -- II -- Poem for Friends -- "Minnesota Nice" -- Let's Say You Are Who -- The Old People Speak of Death -- Conjuring Against Alien Spirits -- The Absoluteness of Seconds -- For Malcolm, Who Walks in the Eyes of Our Children -- Poem for My Father -- Male Springtime Ritual -- III -- Untitled -- San Juan Island Image -- La Jolla -- The Flip Side of Time -- Birth Form: Tercetina -- The View from Skates in Berkeley -- From Choruses (COFFEE HOUSE PRESS, 1999) -- I -- Song -- Sestina for 39 Silent Angels -- Forty-one Seconds on a Sunday in June, in Salt Lake City, Utah -- II -- Gray Day in January in La Jolla -- Mother -- Jerez de la Franterea -- III -- The Point Loma Series of Haikus & Tankas -- Your Lover's Eyes Speak -- IV -- Bells -- V -- Choruses -- Words that Build Bridges Toward a New Tongue -- From Transcircularities: New and Selected Poems (COFFEE HOUSE PRESS, 2002) -- 9/11 Emergency Calls Coming into Manhattan -- Reconfigurations -- Pulse & Breathe -- What the Poetic Line Holds -- One Summer View; in Port Townsend, Washington -- Fast Lane -- Shades of Blue for a Blue Bridge -- Transcircularities -- From The Architecture of Language (COFFEE HOUSE PRESS, 2006) -- I -- Haiku Scenes -- II -- Versace -- III -- The Hours Fly Quick -- Three Sevens: 21 Lines Hoping for Change -- Eye Am Forever Looking for Shadows -- IV -- Memory, as A Circle: For the Love Eye Lost in Hurricane Audrey -- Diva -- Lucille -- The Shot -- For Richard Pryor: 1940 -- 2005 -- V -- Connections -- In Sainte-Anne, Guadeloupe -- A Woman in the Water --

A Kite above the Beach -- The Moon Is A Lemon Wedge -- Sometimes in Montebello -- The Old Black Man Walking -- Eye Am Thinking of Moments -- We Have Come Here Again -- VI -- What Is It Poetry Seeks -- Switchin' in the Kitchen -- VII -- The Architecture of Language -- From Errancities (COFFEE HOUSE PRESS, 2012) -- I -- An Art of Lost Faith -- Las Cruces, New Mexico Revisited -- Where Have They All Gone -- II -- After Seeing An Image in Ashland, Oregon -- On A Sunday -- Mix-y-uppy Memory -- A Hard Quick Rainstorm in Manhattan -- Sounds of New York City -- 2002 Manhattan Snapshot: The War on Terror -- A Few Questions Posed -- Foggy Morning in PortTownsend -- The Allusion of Seduction -- III -- Praise Song for Sekou -- Taps for Freddie -- Miles's Last Tune Live, August 25th, 1991 -- A Poem of Return: Circa 2008 -- IV -- Michael Jackson & The Arc of Love -- V -- Thoughts on A Sunday Morning in Goyave -- Goyave Night Scene -- Sitting on My Veranda, Facing the Caribbean Sea -- A Veil of Transparent Rain -- Haiti Haiku -- Earthquake: Haiti -- Hurricanes -- Lusting after Mangoes -- Searching for Mangoes: Second Take -- Listening to Blackbirds -- Haiku Song -- A Vision -- VI -- Seven Elevens -- VII -- Errancities -- Just Think About It -- Looking into the Future -- Eye Travel Back into Memory -- Untitled Dreamscape -- A Man Walks in Slow Motion -- Connections #2 -- Sentences -- Ghost Voices: A Poem in Prayer (TRIQUARTERLY BOOKS / NORTHWESTERN UNIVERSITY PRESS, 2019) -- I -- Chorus Song of Crossing the Big Salt Water -- II -- First Take -- III -- The Arrival of Ghost Voices -- IV -- Translating the Dreams -- V -- The New Dream of Ghost Voices -- VI -- Chorus: African Ghost Spirit Crabs Cross Karukera (Guadeloupe) -- VII -- Transition: Guadeloupe (Karukera) to the Gulf of Mexico -- VIII -- Song of the Hoodoo Spirit Crabs -- IX -- The New World: Moving North -- X -- Going Back to Goyave, Guadeloupe: What My Ears Needed to Hear -- XI -- Hoodoo Crab Spirits Find New Homes -- XII -- Thinking of Fusing Spiritual and Cultural Identities Not Lost -- XIII -- The Enlightened Awakening -- From Seduction: New Poems, 2013 -- 2018 (TRIQUARTERLY BOOKS / NORTHWESTERN UNIVERSITY PRESS, 2019) -- I -- Ghost Voices Whispering from the Near Past -- Catching Shadows -- Soon to Be Ghost Voices Plunging through the Sky -- Ghost Waves -- Mercy -- Strange Incidents -- Strange Harlem Encounter: A Portrait -- High Noon Shadow -- Two New Seven-Elevens in Rhyme -- Question -- A Dirge for Michael Brown, Tamir Rice & Trayvon Martin -- II -- Fragment -- Jazz Improvisation as Blueprint for Living -- Eye Want to Go to Bucaramanga, Colombia -- III -- Poem for Poets House -- Poem for Lola, Echoing Derek Walcott's "Sixty Years After" -- A Singer's Siren Calling in Marcus Garvey Park: August 24, 2013 -- A Beautiful Woman Putting on Makeup on the Downtown Number 3 New York Subway Train -- High Up in My Imagination -- Sometimes While Sitting on a Bench in Central Park -- Telephone Call from Samo for Miles Davis -- Death Always Comes -- A Remembrance for Prince (1958 -- 2016) -- Romare Bearden's Art between 1964 & 1985 -- Poem for Jack Whitten -- Lusting after Mangoes Number 3 -- Lessons in Seduction -- Passing by La Casa of "Gabo," March 7th, 2014 -- Blue Mandala -- What If Truth Can't Seduce -- A Double Rainbow Arch -- Seduction -- Usain Bolt's Final 2016 Olympics -- Hints of Seduction -- Each of Us Here -- Lyric Still Life -- New Poems: 2019 -- 2020 -- Duende -- Searching -- A Poem for An Old Man Walking an Equally Old Dog -- A Tanka for Stanley Moss at Age 95 -- A Wandering 7 -- 11 -- After Reading A Hiroshima Nuclear Bulletin on Yahoo -- All of My Good Old Friends -- Coronavirus Redial -- Dark Clouds Blooming Up Ahead -- Blood -- Hurricane Maria -- Three Wasps in Juan Dolio, Santo Domingo -- Sonic Fireflies -- Watching Seagulls Hunt for Fish in Sines, Portugal -- Spring Time Moving Toward Summer: A Crap Shoot -- Watts 1965 -- Flowers Blooming in Central Park -- A Haiku and A Tanka -- Gloster, Mississippi: Tankas and Haikus Suite -- The Haitian Drum Hammerers of Juan Dolio, Santa Domingo -- Trying to Find My Way into A Poem in 14 Lines -- Trump's Response on Hearing the News of Covid-19 -- Trump is America's Waterloo -- Trump's Legacy to Black Americans -- There is Always Some Thing -- This One Is for the Black Mamba -- Think of It -- Time -- Some Think -- Nancy Pelosi -- Homage to Elijah Eugene Cummings -- For Hugh -- Space Travels -- A Poem for Derek Walcott -- Another View from Sines, Portugal Chasing Words in Lines -- Picking a Dandelion.
Abstract:
"Quincy Troupe writes poetry in great waves. The words are just notes. It's the music you make with them that matters. He's not a wordsmith, he's a shaman conjuring long repetitive lines, cadences of looking across the sea towards Africa and haunted by the legacy of slavery and racism, or of remembering fellow conjurers, poets and musical artists, celebrating, always celebrating, but never only that. In the fifty-page, incantatory poem, "Ghost Voices," there is a longing to be reconnected to the past, and a longing too to be free of it. In the short title poem, "Duende: For García Lorca and Miles Davis," there lies, nakedly, Troupe's credo: "...secrets, mystery infused in black magic / that enters bodies in forms of music, art/ poetry imbuing language with sovereignty / in blood spooling back through violent centuries..." The version of the great poem "Avalanche (number 3)" that appears here is different from the version of the same poem he published nearly 25 years ago--in exactly the same way that a jazz artist picks up his horn to play the same song a little differently every time. Troupe is a generous and gregarious poet in this giant offering that includes many new poems, as well as a selection chosen from across his eleven previously published volumes. What's remarkable is the constancy, the energy, and how he's always looking right at you in the here and now, and at the same time sees something over your shoulder that others don't see yet, maybe a distant storm gathering over the waters, something we're going to need to rise up and face soon enough"-- Provided by publisher.